Voices with Impact : A tenor the kind of which no longer exist

"Fabio Armiliato couldn't have picked better role models for his definition of Chenier: Del Monaco and Corelli, which means no more and no less that we are confronted by a tenor of a pure lyric voice, but powerful and virile; with a beautiful timbre which does not deform when changing registers and with an overwhelming capacity to phrase and color. From the initial Improviso he collected the loudest ovations form a public that had never heard a tenor with such wonderful artistic qualities."

"Fabio Armiliato is a wonderful tenor. An artists that sings with a thought process that is pure heart and with the intelligence of a heart that appears to have grown up listening to voices like Gigli, Corelli or Del Monaco.
It is to these mythical names in the history of Andrea Chenier to whom we must go to begin to grasp the idea of his amazing interpretation of the romantic poet. Form his first aria, the famous Improviso, Un di all'azurro spazio, Armiliato made a case of his class, the richness and beauty of his lyric and meaty voice, open and felt from the deep inside, with abandon and without holding back, governed by an expressive feeling based in the best traditions, were the  start of a memorable performance.
The aria Come un bel di di maggio showed off his authentic lirico spinto voice to give a singing lesson.  The nobility of his interpretation and plethoric (complete, covering every aspect) phrasing, his way of saying with an open heart gave the spectators a knot in their throat.
The duos at the end of the opera with the described vocal material of the Andrea Chenier of Armiliato are already immortalized in the memory of those who witnessed this sensational performance by two artists that seem to have come from another era."